About Carole

Artist, writer, PhD researcher and organic gardener. Twitter @carolekirk

A couple of monoprints

I’ve tried some monoprinting at home, simply using oil paints.  I really love the quality of monoprint, and I think it fits very well with the theme of memory because of that ‘foggy’ lack of clarity that they suggest.

Father and Child monoprintMonoprint on postcard

 

Mother and Child monoprintMonoprint on hand-made paper

Home made canvas stretcher

I’m so proud of myself!  I’ve been sawing, chiseling, drilling, hammering, stapling, and – er – using a screwdriver!  This is all new stuff for cack-handed me.  And only the one incident.  I didn’t know that drills could go round the wrong way.  Never mind, the drill bit managed to burn its way through the wood with all the friction, and I love the smell of woodsmoke. 

Here is my first home made canvas stretcher.  I’m now sizing it with PVA, and will then prime with emulsion before I can paint on it.

canvas stretcher before canvasdetail showing quadrantcorner lap jointreverse of canvascorner on reversefront of canvasneatly folded corner

Another Place

another place

This Tuesday, we visited Anthony Gormley’s Another Place sculptures on Crosby Beach.  They have now been granted planning permission to stay permanently.  There is something quite spiritual about these figures, as they stand patiently looking out to sea.  They are also eroding beautifully, creating some fascinating surface textures.

Toddler pastel sketch

Pastel study for toddler

Soft Pastel (bargain pack from Lidl!) on ingres paper

I had a ball in Lidl last week as they had artists’ materials on special offer.  I managed to pick up a desk easel (FSC wood) for less than a tenner, and it’s perfectly good quality and a nice simple design.  I also bought these pastels, which are a bit gritty to use, but perfectly OK for practising.  This is a study for a painting which is currently on the easel, background painted, composition sketched in oil pastel, and ready to paint.

A Day Out

A Day Out

Oil on Canvas

My objective with this painting was to start using oil paints on canvas.  I’ve mainly been using acrylic paints, and these behave quite differently.  I can splash acrylics about in large quantities as the paint is quite sloppy and comes in big tubs.  Oil paint comes in tubes and is thicker.  I haven’t learned how to loosen it up – partly because I’m using Artisan water-mixable oil paints, and they do behave a bit strangely.  I wanted to avoid using turps if possible, but I’m not sure the experiment is working.  I’ll persevere until the tubes are used up, and then decide whether to continue with them.

Because of the difference in consistency, and because I mentally think of oil paint as more expensive, I find I’m working much more conservatively with it.  I paint more slowly, partly because I’m getting used to the feel of the paint.  I think this makes the painting less lively, but it is perhaps a more contemplative painting as a result.  I’m struggling with proportions and need to do much more figure drawing, but I am enjoying painting figuratively.  I never thought I would.

I’ve been reading about Paula Rego, and have become quite fascinated with the way she works with narrative.  Her pictures are carefully crafted to tell a story, and the stories are usually slightly uncanny creating a sense of discomfort.  I love her drawing, which is bold and confident.  I’d love to be able to draw that confidently.

Chase painting

chase painting

Acrylic on card, just under 3ft by 4ft 

I painted this a few weeks ago at college.  I wanted to see whether I could work as well at college as I can at home.  I learned that I cannot!  College is a wonderful, lively, vibrant environment, but I’m learning that I need peace and quiet to paint.  I need to be able to sit for hours just gazing at the painting.  I’ll then suddenly work out what it needs, and get up and work quite fast to make the changes.   This is actually quite unfortunate, as I’d prefer to make a mess at college than in my spare room!  But I do think it is important to learn to recognise our own creative processes and the environments where we do our best work.  Anyway, just for the record here is the painting that I did at college.  I think it is lumpy and constrained compared to Ring o Roses.  It’s not even finished – the card fell off the wall and curled at the edges, so I can’t put it back up to finish it.   Time to get on with making my canvas!