About Carole

Artist, writer, PhD researcher and organic gardener. Twitter @carolekirk

Hebden Bridge Art Auction

‘Charlecote Park’, watercolour, 12 x 16

‘Charlecote Park’, watercolour on Bockingford paper, 12 x 16″

‘Chase’ Acrylic painting 12 x 16

‘Chase’, acrylic on textured paper, 12 x 16″

A rare chance to buy my work!  These paintings will be for sale at the forthcoming art auction at Hebden Bridge Masonic Hall, Hangingroyd Lane on Saturday 28th June 2008.  The auction will showcase work from a number of artists in and around Hebden Bridge.  Viewing is from 11am, and the auction will start at 3pm.  Refreshments will be available.  All money raised will go to Big Shed Arts, a new venture to develop a multi-use arts centre for Hebden Bridge, including arts education workshops for all, a gallery, and studio facilities.  If you are in the area, please drop in!  There should be a real buzz in the town, as it is also the start of the Hebden Bridge Arts Festival.

Bookish

Bookish

Wax crayon in sketchbook.  I was concentrating on negative spaces and forms, and drew in blocks of colour rather than doing an outline drawing of the whole thing first.  Now that I’ve scanned it in, there are bits that look distinctly odd, but overall I quite like it.  I’m playing with children’s media – crayons, felt tips etc. to see what effects I can get (and to start playing again, as I’m still feeling a bit stuck.)

Bridesmaid

After a fairly hectic period of finishing my last two projects, I’m struggling to get started again.  I think this is part of the creative process – you can’t keep producing endlessly without putting something back.  Time, I think, to do some ‘inputting’ – looking around me, visiting galleries, looking at other people’s work, looking at books.  And drawing, because drawing helps me to process ideas, and it is a simple, manageable, portable activity.  Here’s one I did yesterday.

Bridesmaid

7B Pencil in sketchbook

On Show

At college, we have a wall in the entrance corridor which is used to hang students’ artwork.  I was rather chuffed when my tutors asked me if I would like to put my paintings up there.  I’ve never put any of my paintings up before, so it was a steep learning curve working out how to hang a set of paintings of disparate sizes.  But with rather a lot of help, I got there in the end.  Here they are in situ:-
paintings on college wall
It’s really useful being able to see them hung on a wall (rather than propped on a desk or easel), and also to see them all hung together in one place.  It’s also interesting to hear other people’s comments about them, which I guess is what happens if you actually show your work.

Making a Spider – step by step

prosoma

Step one: I made the two body sections using two thicknesses of garden wire.  The thicker wire forms the main structure of an oval-shape.  The thinner wire weaves around this to strengthen the structure. 

structure of legs and body

Step two: I made the legs out of double-thickness strong garden wire, and attached them to a wire running down the centre of the top body section (‘prosoma’).  They flopped about a bit, so I tied them down with lots of the thinner wire, and reinforced them in places with lengths of old garden cane.  I started to cover the back section with hessian, but it looked like a body in a sack, so I decided to use cut strips of hessian instead.

detail of string and hessian wrapping

 Step 3: I covered the spider with strips of cut hessian (rough sacking material), binding and stitching it with rough garden twine. 

detail of leg wrapped in hessian

 Detail of wrapped leg.

detail showing how painted

Step 4: I lightly painted it with matt black outdoor paint, leaving some of the hessian colour showing through.  This gives it a rather scarily realistic colour and markings.

If I did it again, I’d do it differently.  Attaching the legs is most problematic – I think they should have been attached to a stick-structure in the centre.  Also, the body might be stronger if it was made from chicken wire, but it would be harder to get the right shape. 

Mandy and Tiger – Etching and Aquatint

Mandy and Tiger etching

I’ve been longing to have a go with etching and aquatint for some time now, despite all the scary chemicals involved.  Last weekend, I attended a one day workshop with Alan Birch , who took us through the process of creating an etching with aquatint (you can find details of these processes here).  Whilst there are things I would change if I did it again, I am delighted with this print.  It looks like something out of a book, as if someone else actually made it.  I just love aquatint.

Spider

completed spider

Well, here she is!  The completed spider for my nature trail site specific sculpture project, to go with her web.  The real fun starts when I try to install them both next week.

She’s made from garden wire, sticks, hessian, garden twine and black matt outdoor paint.  If anyone is interested in how she was constructed, leave a comment below and I’ll post photos of the different stages.