I’ve been taking a holiday over the festive period, so not much to share. We did, however, visit Leeds City Art Gallery and I spent a very pleasant half hour sat drawing this detail from Paula Rego‘s ‘The Artist in Her Studio’. The good thing about drawing a piece of artwork is that it makes you really look at it. This painting is actually far more painterly and textured than you would ever expect from looking at a reproduction of it.
You can also get a feel for the physicality of the artist’s process – how they actually may have moved to make the marks. For example, this sketch is drawn whilst looking at a charcoal drawing by Frank Auerbach in the Manchester Whitworth Art Gallery. Just by trying to replicate the way the marks were made, I could sense the vigorous movements that he may have made in making the drawing.
Hey Carole! Happy New Year!!!
I’m liking this concept of really looking at how other artists make their marks. I’ve had to do a bit of it for uni, and its fascinating when you really start analysing people’s styles and methods … hhmmmm … will definitely be doing more of that I think this year …
Great sketching Carole! You’re right, it is only when we take out a pencil and study the great works do we really SEE and FEEL the piece in front of us…and learn. I should do more of that too…
Ronell